Children appear to wear smaller versions of adult clothing. Infants are swaddled - wrapped in bands of fabric. The two teenage girls are wear a form of pinafore over their kirtles. These outer garments are the only items that are wore exclusively by children.
Showing posts with label 1430s. Show all posts
Showing posts with label 1430s. Show all posts
Thursday, 15 August 2013
Clothing from the Decameron: Women
Here is a simple handout I created for a class on clothing shown in the Decameron.
Women's clothing
Underwear
Smock
Rarely visible - sleeves and neck covered by outer clothing. Round neck, no lower than necessary to admit the head. Small pleats centre front on some.
Hosen
Since women do not wear a jack to point long hose to, and since there are contemporary art pieces showing knee high hosen in the low countries, assume the hosen seen are knee length. Can wear footed hose alone or shoes (poulaines or pattens).
Basic layer
Kirtle
Round neckline, often no lower than the collarbone. Cleavage is never visible. Some worn loose and clearly not laced up (seen being pulled over the head). Others are very tight around the torso. With assistance, it is possible to be pulled into and out of a very firm garment, though side lacing was also known in Germany, France, Italy and other Flemish art of the time. No waist seam. Long sleeves - usually without an opening at the wrist, though buttons and lacing to 2/3 of the way up the forearm was known in the region at the time. No lining it evident, though some show fur at the edges, indicating possible lining. Sometimes 2 kirtles were worn. Upper classes could wear a second kirtle with hanging sleeves. Lower classes tended to wear two kirtles of the same style, for warmth. Ankle to below floor length - again, this increased with the station of the wearer. Excess length was bunched over a belt, worn at the waist.
Outer layer
Houpeland
This outer layer is worn by the middle and upper classes. Working women who require an extra layer for warmth wear an extra kirtle or cloak. The body is cut wide. Pleats are formed high on the waist and held by a belt. The gown can have wide straight, dalmatian or hanging sleeves. No bag sleeves are visible on women's houpelands in the Decameron, though they are present in contemporary art. Collars can be part of a centre opening, standing, low, fur lined or turned down high square. Gowns can be floor length but are often longer. Contrasting colours were used for linings, especially for styles with turn down collars and open hanging sleeves.
Accessories
Belts
There are 3 varieties of belts worn by women in the Decameron. Hip belts were worn over kirtles. Belts worn over the houpeland layer were sometimes wide, and always worn high on the waist. The belts that were worn to hold up a long skirt were narrow an often decorated. One is shown as black and studded, in a style very similar to men's belts, and another is pictured as coloured to match the gown. Perhaps these belts are of the woven variety, found from the same era. The belts worn over a kirtle, hanging low in the front are often called ovary belts. They pictured with some sort of twisted gold hanging end, in this document.
Headwear
In this document, the only time a woman wore her hair uncovered was when she was in a state of undress, unmarried girls and Queens wearing a crown. The bourelet or padded head roll was worn in many guises, with the extravagance linked to higher status. Some women still wore veils. Working women and older ladies wore simple wrapped styles, while some younger women wore veils supported by hidden structure. The hair was sometimes styled into twin buns above the ears, on either side of the temple. These buns were covered a net-like fabric, and secured with ribbon, crossed on the top of the head. Hoods of a particular style were worn by Flemish women. These hoods had long liripipes (tails) and stiffened brims. The lower edge sat neatly wrapped around the shoulders. These hoods came in a variety of colours, but red was by far the most common.
Shoes
The black, pointy toed poulaine is the most common type of women's footwear in this text. A pair of yellow slippers is visible on a servant. They appear to be made from felted wool. Women's pattens in this document have red uppers, with a single band over the arch.
Pouches
Women are seen with square bags that are suspended from one cord and drawn tight with another two. These can be small or medium sized. There is a shoulder bag, worn by a traveller.
Cloaks
Cloaks are shown in 3 styles: Semi circular with a standing collar, semicircular with no collar (like a mantle) and full (or almost full) circle in a buff colour, with buttons at the shoulder.
Clothing from the Decameron: Men
Boccaccio wrote several texts, though his best known work was The Decameron. This series of 10 tales per day told for 10 days was written in the second quarter of the fourteenth century. It remained popular and was translated into French almost a century later. This edition was illustrated by 2 Flemish artists, who completed their work in 1430-1440. These illuminations provide a fairly comprehensive view of the clothing worn in the Low Countries at this time. There are distinctly French influences in some of the fashions, but the styles and accessories are consistent with other Flemish art of the time.
The following is a hand out for a class I ran. It is a basic overview of clothing worn in the 1430s in the region around Flanders. There will be 3 parts: Men's, Women's and Children's clothing.
The following is a hand out for a class I ran. It is a basic overview of clothing worn in the 1430s in the region around Flanders. There will be 3 parts: Men's, Women's and Children's clothing.
Men's clothing
Underwear
Braies
Drawstring waist, trunk style in Franco-Flemish clothing
Sherte
Full body, long sleeves, always white
Inner layer
Jack / pourpoint
Tight at the waist, bodice separate to skirt
Hose
Separate legs, laced to the inner jack. Seam up the back. Both legs the same colour. Skin tight for all classes of people, bar the very poorest.
Outer layer
Outer Jack
Similar shape to inner jack, but the hose are not laced to them. Fastened with buttons.
or Robe
Various lengths (floor to above the knee), pleats or folds at the waist, hidden hooks and eyes down the front. Sleeves can be straight, bag or hanging. Can have fur lining or trim.
Men's Accessories
Cloak
The cloak can have a split from the ground to the upper arm or be fastened by 3-4 buttons on the shoulder.
Hats
Chaperon - styled on a hood with a rolled face opening. Bag hats with various height crowns. Some with rolled brims. Straw and felted hats. Acorn hats are shaped like a beanie.
Belts and Pouches
Plain black belts 1.5" wide are the most common. Kidney shaped pouches have their own matching belt. Some other pouches have matching belts. Buckles are rarely seen in this document. Studs and carving are used for ornamentation.
Shoes
Black ankle boots very common among all classes.
Footed hose also common, though only indoors. They have a sole of a different colour, most likely from leather or some tougher material. Pattens were made from wood and leather, and are shown in some outdoor scenes. They can have one or two straps in black or brown.
Saturday, 27 July 2013
Crests in 1430s: part 2
Here are some images from 1430-1439 showing a few different things people wore on their helms.
http://manuscriptminiatures.com/4888/14202/ 1425-1435 Austria
A torse (rolled fabric band encircling the head) and a fine feather coming from the centre front.
http://manuscriptminiatures.com/4888/14197/ 1425-1435 Austria
A torse on a kettle helm and a fine feather coming from the centre front.
http://manuscriptminiatures.com/4888/14198/ 1425-1435 Austria
Same manuscript, same soldier, same red torse.
http://manuscriptminiatures.com/4616/12838/ 1435 Austria
Small diameter torse with cylindrical plume
http://manuscriptminiatures.com/4616/12842/ 1435 Austria
2 feathers from ring on top of the grand bascinet.
http://manuscriptminiatures.com/4616/12826/ 1435 Austria
http://manuscriptminiatures.com/4616/12837/ 1435 Austria
torse worn over grand bascinet, both over hinge roundels and under hinge roundels
http://manuscriptminiatures.com/4616/12835/ 1435 Austria
loose torses, one with hanging tail
http://manuscriptminiatures.com/4655/10134/ 1425-1430 France
Close fitting mantling with a single tail. The lance implies it is to be worn for jousting.
http://manuscriptminiatures.com/4905/14549/ 1430 Germany
This one its interesting. There is a cone circled by stiff feathers rising out of a crown, all worn over a hem. There is also a red wing that could be coming from someone else, or could be some errant dagging flicking up.
http://manuscriptminiatures.com/4905/14563/ 1430 Germany
4 ostrich style feathers in 2 or 3 colours rising from the top of the slotted kettle helm. No mounting point visible.
http://manuscriptminiatures.com/4905/14547/ 1430 Germany
Everyone wears a crown.
http://manuscriptminiatures.com/4905/14550/ 1430 Germany
A red wing rising from within a crown. There is a torse with no visible tail around the crown, all worn on a slotted kettle helm.
Friday, 26 July 2013
Crests in 1430s: Part 1
For this collection of images, I have quite a few that are listed with a likely span of creation, rather than a firm date. I am going to categorise them by the latest listed date, because they must have been in existence from that point on. The searches are throwing out a lot of images and I am only up to page 1 of 4 in a single website. I will probably have to add another post for some of the time periods later. More resources is good news!
http://manuscriptminiatures.com/4831/13780/ Germany 1420-30
http://manuscriptminiatures.com/4831/13784/ Germany 1420-30
http://manuscriptminiatures.com/4831/13796/ Germany 1420-30
I really like this dragon.
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